Les Chemins de Traverse
Les Chemins de Traverse ont pour mission le partage de projets artistiques novateurs toujours en lien étroit avec le public : par des concerts ou spectacles hors des sentiers battus, par la transmission du savoir lors de stages, par la recherche fondamentale et des publications.
Leur atelier basé à Neuchâtel-Peseux (NE/CH) est un véritable laboratoire d'impertinence musicale et de la pensée de l'artisan musicien.
Ils tracent les Chemins de Traverse
Croisements
Directions
Chemin de création
Nyon Région Télévision - La Quotidienne 05.10.2023
Carole Reuge et Barbara Minder étaient les invitées de La Quotidienne de Nyon Région télévision pour présenter La Côte Flûte Festival 2023.
La Côte Flûte Festival - Intermezzo II
Théâtre de Grand-Champ
Noël avant l'heure
Les coulisses des Chemins de Traverse #33
Atelier des Carrels
Un seul être vous manque et tout est gribouillé
Harpejji solo 12 - Trying the pisound
(This news is part of the Harpejji solo project)
In an attempt to solve the problems I encountered with my first rpi setup as a harpejji FX box, I purchased a Pisound rpi sound interface. It seems to help with the high hiss I was getting with the previous setup, but not with the "floating ground" low hum. I'm definitely getting closer though – I will post a detailed description of the new setup when everything is working smoothly.
Nouveaux rivages
Séance de conception du concert Nouveaux Rivages qui sera donné en octobre au La Côte Flute Festival 2023 par les étudiants de l'académie d'été 2023. Ça s'annonce bien!
Les coulisses des Chemins de Traverse #32
Atelier des Carrels
Harpejjo solo 11 - Is this the book I've been waiting for?
(This news is part of the Harpejji solo project)
Since I've got my harpejji, I've been improvising mostly in a language inspired by jazz music. Given my background, I actually also toyed with the idea of improvising in a more classical style. I've been hearing some really great classical improviser along the years, thanks mostly to the FMIL. But although I'm able to do it melodically on the flute, improvising polyphonic classical music on the harpejji has always seemed a very remote goal.
I've been trying to practice figured bass, using historical sources as Dandrieu's or modern ones as Morand's, but these methods are (logically) oriented toward accompaniment and provide little to no hints as how to use this knowledge to play solo pieces.
Lately I discovered Connor Gaydon's Partimento: A Beginner Method for Classical Improvisation which could very well provide the pieces I was missing.
Obviously it will need at least months of work before being able to improvise something half interesting, but this book seems to make classical improvisation on the harpejji a little bit less remote.
Now, if you will excuse me, I've got loads of things to practice! 😉
Harpejji solo 10 - meeting Pierre Audétat
(This news is part of the Harpejji solo project)
Today my harpejji and I went to Lausanne to meet Pierre Audétat. He was very happy to discover the instrument and suggested many interesting ideas about how to take advantage of the characteristics of the instrument to develop new musical ideas. As the author of La Cloche diatonique, a very deep reflection about musical modes, he was particularly interested in the isomorphy of the instrument and the possible applications to diverse symmetric modes.